By now the luggage has been unpacked, jetlag is a distant memory,
suntans have faded, and life, for the most part, has regained its sense
of normalcy. A challenging and exhilarating trip that had been in the
works for several months came and went all too quickly in one
whirl-wind, fun-filled week.
This summer, the Orpheus Hellenic Folklore Society made its third trip
to Greece since its inception in 1989. Approximately two hundred Orpheus
members and their families visited the Peloponnese, specifically the
city of Kalamata. Highlights included three successful dance and choral
performances, meetings and workshops with local officials and dance
groups, as well as several excursions around the Kalamata vicinity.
“Going to Greece with the Orpheus dance group has always been one of our
goals. We had been waiting long enough,” commented Kostas Economou.
“What better way
to celebrate our heritage than to visit Greece? Having the chance to
present dances, songs and music in the place where we get all of our
inspiration and material from was indeed a great motivator!”
Accompanying the Orpheus dance troupe were members of the Chicago
Hellenic Choir, directed by Eftihia Papageorgiou. Orpheus has been
working with Eftihia, practicing and presenting a variety of traditional
and modern Greek songs, adding another dimension to the dance troupe.
Selections included “Gerakina”, “Thalassaki Mou” and “Tora Pou Pas Stin
Ksenitia” performed to live music, courtesy of Eftihia and the Orpheus
music ensemble. “Having worked with the Orpheus choral group for over
two years, I knew that that the trip would be an amazing experience and
a huge success,” said Eftihia. “Orpheus has been one of the most
organized, committed, and hard-working organizations with which I have
ever been involved. I knew that the organizers would meet everyone’s
expectations and would rise way above them. And they did.”
Extensive media coverage featured the troupe in local newspapers (Elefteria,
Simaia, Foni, Epikairotita), radio (ERA Kalamata), and television
channels (NET Messinias, Star TV). Orpheus President, Yannis Economou,
and Youth Group Coordinator, Bessie Grosso, were invited to City Hall to
meet with the Mayor of Kalamata, Mr. Panayiotis Nikas, and Deputy Mayor,
Mr. Theofanis Kleidonas. Also present was ex-Vice President of S.A.E of
North and South America, Mr. Christos Tomaras. Mayor Nikas was pleased
that Orpheus chose Kalamata as its destination this year, and
congratulated the troupe on its efforts in preserving Greek culture and
traditions in the United States.
The troupe’s first performance was in the town of Finikounda. On their
way to the beachside venue, the performers marched through the streets
singing a traditional Greek song, “Eis Ton Afro Tis Thalassas” as
onlookers clapped, cheered and sang along. Yannis Economou recounts, “I
vividly remember a couple of elderly women, overlooking the scene from
their balcony, clapping and asking, ‘Where did you come from?’ The
response, ‘We are from Chicago, from America,’ left them astonished
because they could not believe how a group of ‘Greeks’ from so far away
could offer such a spectacle!” He continues, “The locals could not even
recall the last time their village, which has now become a popular
tourist destination, experienced such a scene. It felt as if our
presence restored their sense of pride, tradition, and past history.”
Dignitaries who were present also marveled at the troupe’s performance.
Mr. Michelis, Mayor of Methoni, and Deputy Mayor, Mr. Kourvelas, were in
attendance. The crowd enjoyed the lively, animated performance, while
Mayor Michelis congratulated the troupe on their efforts in preserving
Greek culture and traditions abroad.
The second performance was given in Ancient Messini, in the town of
Mavromati. Besides the energetic singing and dancing, members of the
troupe gave insightful and moving speeches about what this experience
meant to them. Many of the dancers, particularly the younger ones,
commented that this trip was exceptionally meaningful to them. Not only
were they first-time visitors to a country with such a remarkable
history, magnificent scenery and centuries old traditions and culture,
but more importantly, it was an opportunity to proudly give a dynamic,
traditional performance in the birthplace of their grandparents and
parents. “My grandfather’s relatives live in a village on the other side
of that mountain, and they came to see us sing and dance,” remarked
Youth Group member, Andrea Nicholson. “I was very proud to perform for
them and for everyone else that night because I was chosen to lead one
of the dances. The dance I led was very fast moving and I felt like I
was flying as I led it.” Similarly, dancer Alexander Benziger commented,
“Showing pride in my ethnic background by dancing in front of those who
live that life everyday was an amazing experience. I was able to
experience a rush I have never felt dancing for a crowd before. The
audience was true Greeks, born and raised there, and having them watch
us, and feeling their pride that the Greek heritage is carried on so
strongly in Chicago, felt awesome.”
Eftihia Papageorgiou added that as she watched the younger members
perform, she understood the depth and magnitude of their experience.
“They were experiencing Greece as deeply as they could possibly
experience it, through all of their senses, both literally and
metaphorically. They were able to see all the places they had heard
about, especially those children who had never been there before. They
heard their own Greek singing voices and dance steps echo against
ancient Greek ruins.” Furthermore, Mr. Demetrios Kouvelakis, President
of the Cultural Association “I Arxaia Messini”, expressed similar
sentiments as Mayor Michelis, and thanked Orpheus for participating in
“Ithomaia 2007,” their annual festival.
The last, and perhaps most remarkable, performance took place in
Kalamata, at the famous Kastro Amphitheater. “The final performance at
the Kalamata Kastro
made a lasting impression on Hellenes from both sides of the Atlantic.
First, the final Orpheus performance brought home to Ellada, and
Kalamata in particular, that Hellenic culture is alive and well 10,000
kilometers away in Chicago,” commented Nick Nicholson. At the conclusion
of the performance, the troupe received a standing ovation from the
audience, who was impressed with the professional, enthusiastic and
moving production.
Yannis Economou observed, “The performances impressed the spectators
beyond any expectations, particularly the personal reflections read
during the presentations that brought many to tears.” After the
performance, the Mayor’s office hosted a generous reception for Orpheus,
their families and friends.
The enthusiasm, anticipation and energy in the air prior to and during
the performances was undeniably intense. Both the performers and their
families felt the overwhelming rush of pride and exhilaration each time
the show was about to begin. “I felt the nervous, excited sort of
feeling one gets when they are about to perform”, said Andrea Nicholson.
“I felt fortunate that I was selected to sing a solo that night,
especially since it was one of my favorite songs. I thought it was fun
because my friends and I were doing what we loved to do in front of at
least a hundred people that truly seemed to enjoy what they were
seeing.” Andrea’s father, Nick, echoed her sentiments, describing the
performance in Finikounda as “…more magical than a Walt Disney World
night”.
He continued, “During the entire second performance, the Mavromati winds
felt like the dancing spirits of our departed ancestors, who decided to
gleefully join in the Orpheus festivities”. Despite the heat, rigorous
schedule and physical demands, Orpheus members, particularly the younger
ones, proved to be troopers, as their dedication and love of Greek folk
dance and songs motivated them to do their very best. Yannis Economou
noted, “The dearest memory of all was the kids themselves. They gave
their hearts out, despite the extreme warm weather, the early set-ups,
rehearsals and workshops. They are truly the inspiration for whatever we
do. Their proud and glowing faces will be a guiding force behind our
mission”.
Members of the Kalamata branch of the Lykeion Dance Group met with
Orpheus for several workshop sessions. “Our collaboration with the
Lykeio Chapter in Kalamata and their dance instructors during the dance
workshops, dinners, and casual dancing felt like being with long lost
friends who shared the same passion for Hellenic culture. It was a warm
partnership where both benefited in meaningful ways”, said Yannis
Economou. In addition to demonstrating variations on the traditional
Peloponnese dances,
Kalamatianos and Tsamikos, Director Tasos Mihos also
taught the troupe some local songs to accompany the dances. Likewise,
Agis Tsakalakos introduced versions of the popular Tsamikos dance, along
with Sygathistos from Thrace. Representing material from Kalimnos, Anna
Mavrou expertly exhibited traditional dances from this island. Along
with Nikos Petroulias, Ms. Mavrou also conducted youth group dance
sessions. The Lykeio instructors commented on Orpheus’ strong and
extensive dance skills, and how organized and disciplined the group was,
especially with so many younger members. “They were impressed with the
organization of our group as well as our use of that little device
called iPod that helps us access our dance music files so effectively”,
Yanni notes. “From our end, we cannot forget how willing they were to
offer their own personal time to share their knowledge even though they
were in the midst of practicing every night for a major performance of
their own that took place a few days after ours at the same venue!”
In addition to swimming in the warm waters of the stunning beaches of
Stoupa and Finikounda, Orpheus members had the opportunity to visit
various archeological and natural wonder sites around the Kalamata area.
The itinerary included excursions to Ancient Olympia, Methoni, Diros
Caves and Ancient Messini. Needless to say, all the sites commanded
attention because of their unique, fascinating, overwhelming attributes
and historical significance, but some sites made a greater impact than
others. “The time I felt the most overwhelmed with history had to have
been when we visited Ancient Olympia”, recalled Alexander Benziger.
“What really brought the significance of the site down on me was a
shield that was in the museum. It had an engraving on it, and as I
looked at it, I was struck dumb by the thought that thousands of years
ago someone had actually made that shield, hand carved it, and it has
survived thousands of years.” Along the same lines, Eftihia Papageorgiou
observed, “The trip to Kalamata served as the ultimate Greek experience.
It was a cultural lesson, a history lesson, a geography lesson, a
language lesson, and more. And all of those lessons were ‘hands-on’,
‘ears-on’, ‘eyes-on’, and ‘hearts-on’. It doesn’t get any more real than
that.”
All of the participants undoubtedly had certain expectations as they
embarked on this trip. Were their expectations met? Was this experience,
specifically the performances, as moving, impressive, and impactful as
originally thought? Saying that the trip greatly surpassed everyone’s
expectations might be somewhat of an understatement. “Performing in
Greece was the ‘King Size Candy Bar’ of Halloween”, according to
Alexander Benziger. “Being able to perform in Greece was nothing like
performing in the USA. Performing in a completely new environment in
front of people who have grown up in the culture I have only tasted gave
a new confidence and ‘oomph’ to my dancing experience”. Nick Nicholson
adds, “There was a homecoming spirit that you don’t get with a U.S.
performance. This spirit was manifested through the celebration of the
Greek traditions with my children’s performance in front of the
descendents of their great grandparents’ siblings, cousins, friends and
neighbors”.
One of the underlying objectives of this trip was to prove to the Greeks
in the motherland that the Hellenic spirit and pride is most definitely
alive and well in Chicago. The Orpheus Hellenic Folklore Society
certainly succeeded in demonstrating this. “The experience impacted all
of us deeply, and at the same time we impacted those around us. We were
able to demonstrate with pride that we do all we can to keep the Greek
spirit alive and pass it on to our children”, said Eftihia Papageorgiou.
Indeed, a plethora of vivid, everlasting memories were created on this
trip that will live on for a lifetime. “Who can forget the chills that
everyone felt during our descent towards the beach of Finikounda in full
costume, singing, lead by the young musicians?” Yannis Economou
recalled. New friendships were forged, while existing bonds of
friendship and camaraderie were strengthened. Yanni continues, “Getting
to know the Orpheus members and their families was a precious
experience. Adults and children enjoyed each other’s company and we felt
a special bond knowing we were representing not only ourselves, but our
fellow Greek-Americans back in the U.S. as well as our past ancestors
that lived in Greece.” Alexander Benziger recalled, “While the
performances were a real treat on the trip, and a huge highlight, there
were other things that blaze like a beacon in my memory. I would go back
in a heartbeat if I could. Meeting all of my family for the first time
was amazing. The beautiful ocean, the quaint village, and the gorgeous
countryside are emblazoned into my memory. I can shut my eyes and
picture the village just as it was when I left”. Likewise, Kostas
Economou observed, “It was a trip of a lifetime. We could not have asked
for anything more. Seeing the joy and pride in the faces of not only the
performers but their family members and friends is a special
experience. It feels like we have come full circle and that a new circle
begins with a new sense of excitement and determination”. |